![]() The Creamy Flautando and Super Sul Tasto.All recorded in the legendary Air Studios in London. Spitfire Audio has made many orchestral libraries, but this has to be one of their top achievements.įeaturing 16 1st Violins, 14 2nd Violins, 12 Violas, 10 Cellos & 8 Basses sampled with over 175 articulations, including 59 shorts, 94 longs, and 5 legato patches. If you want strings with a modern and cutting edge sound, and the ability to create hybrid sounds from creative sound design tools…then NOVO might be just the library for you. Recorded at the famous Eastwood Scoring Stage at Warner Bros. NOVO includes both traditional instrument presets, as well as a sound designer section, as well as a loop designer. NOVO Modern StringsĪ strings library with a modern sound, and with the added ability to design and shape the strings to pads, pulses, or anything you desire. If you need an all in one string library if you need a classic hollywood style string ensemble, recorded with a fairly dry sound in a scoring stage, with all the essential articulations in one package…well then Cinematic Studio Strings is a great choice. Great Room Sound from the Scoring Stage.Made by the same company that made the highly praised “Cinematic Strings 2” which to be honest has been a staple in my own composer toolbox.Īll-in-one string library with all the essential articulations, and great playability. Recorded in position in Australia’s premiere scoring stage, which gives it a natural, lush cinematic sound. So grab a cup of coffee, and let’s check out some Orchestral String VST Sample Libraries! =) Cinematic Studio Strings My name is Mike, founder of, music composer and sound designer since 1998, old school nerd, and coffee addict. In this quick guide I have compiled a list of great string libraries. Perhaps your first high end string library, or simply a new one to expand your composer toolkit? (And yes, I’ve since replaced the slinky I stole from my son.Do you want a high quality orchestral strings VST library? You can watch my experiment unfold in the video linked above. Of course, an acoustic violin is a bit more analog than an electric guitar – there is no pickup – which raises the question: what if you were to attach the spring directly to the body of the instrument you were trying to add reverb to? After seeing a Simon the Magpie Youtube video in which Simon attempted a similar experiment on his acoustic guitar, I knew exactly what I had to do. I’ve always wondered what a violin would sound like if it were subjected to a similar treatment. This produces the characteristic reverb effect we’ve all come to know and love. Because the internal coil is long and twisty, the sound waves don’t travel directly from one end of the reverb tank to another, but instead take their time and bounce around. Spring reverb in electric guitar amps works by taking the signal from a guitar’s pickups, amplifying it, passing it into one end of a long coil, picking it up at the other end, and then amplifying that signal some more. ![]() Throughout the years, I’ve owned several guitar amps with built-in spring reverb, and I’ve always loved that twangy, metallic sound. The Decent Sampler version works with the free Decent Samples player plugin.SFZ version tested with Plogue Sforzando.Kontakt version is compatible with the full version of Native Instruments Kontakt 5.8.1 (or later).With the modwheel all the way up, you get both layers at full volume. With the modwheel all the way down, you get just one violin. The dynamics in this patch are controlled by the modwheel (MIDI CC1). Slinky Violin Duet (modwheel): Orchestral composers will want to start with this one. ![]()
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